THE ROOM NEXT DOOR (2024) – An Intriguing Exploration of Friendship and Euthanasia
Rating: ⭐⭐ 1/2
This film essentially functions as a two-person play that addresses the rather somber subject of euthanasia. The narrative follows Ingrid, a successful novelist, who rekindles her deep friendship with Martha, a war reporter, upon discovering that Martha is in the third stage of cancer. Martha resolves to end her life on her terms rather than endure the harsh realities of painful and unpleasant medical treatments. She asks Ingrid to accompany her during her final days.
While this summary encapsulates the film’s plot, the narrative is far more intricate and comprehensive. Through the conversations between Ingrid and Martha, the audience learns about their past and how their lives have evolved to the present. What could have easily been a dull and depressing film turns out to be rather engrossing, largely due to the talents of the actresses portraying Ingrid and Martha—Julianne Moore and Tilda Swinton, respectively. Julianne Moore, who has always been one of my favorite actresses, once again demonstrates her ability to handle a sensitive role convincingly. Her portrayal of Ingrid presents her as the kind of friend everyone wishes to have. Tilda Swinton also delivers a commendable performance; however, her character Martha may come across as somewhat selfish and less likable, perhaps intentionally so. Swinton also plays a younger version of her character as her daughter Michelle, which is less convincing due to her mature appearance.
In a film heavily reliant on dialogue, the narrative style, script, and acting are paramount. The filmmakers succeeded in making the story engaging without resorting to preachiness or melodrama. Nevertheless, the film risks being perceived as glorifying death. Religious purists are likely to be outraged by its stance on euthanasia. The film features a striking use of moody and melancholic orchestral music throughout, reminiscent of classic films, creating an expectation of dramatic or climactic events. However, nothing particularly surprising occurs, and the film concludes predictably. While the film is not without merit, it ultimately feels underwhelming and somewhat pointless.
