THE ELECTRIC STATE (2025) – Disappointing Sci-Fi Adventure Lacking Depth and Quality

The latest sci-fi action-adventure from Netflix, “The Electric State,” is based on the well-received 2018 illustrated novel by Swedish artist Simon Stalenhag. Unlike most sci-fi narratives set in the future or on distant planets, this story unfolds in an alternate vision set in the past, the 1990s. In this version of the world, robotics technology has advanced to such an extent that robots perform many tasks previously handled by humans. However, a revolt by the robots led to a war between man and machine, with humanity emerging victorious.

The narrative centers on a teenage girl and her robot companion as they search for her long-lost brother, who is somehow linked to the world’s current dominance over robots post-war. Under the direction of the Russo Brothers (Anthony and Joe Russo), known for their work on the Avengers movies and more recently “The Gray Man,” the premise appears to have been simplified to cater to a younger or less demanding audience. Unfortunately, “The Electric State” lacks the quality typically associated with the Russos’ films. The script is juvenile, and the action sequences come across as chaotic and unfocused.

The casting choices and character development are also problematic. Millie Bobby Brown, beloved as Eleven in “Stranger Things,” seems miscast as the teenage protagonist. She has matured too much to convincingly portray a young, innocent girl. Chris Pratt, cast as the lead hero Keats, might boost interest, but his character feels like a rehash of his previous roles. Pratt’s intentionally scruffy appearance diminishes his usual screen presence. Additionally, Academy Award winner Ke Huy Quan delivers an unimpressive performance in a forgettable supporting role as a doctor. Stanley Tucci’s portrayal of the villain lacks depth, resembling a one-dimensional cartoon character.

One slightly redeeming aspect of the film is the creative design of the robots, which resemble cartoons and mascots rather than typical humanoid robots. But, while these cute and colorful robots may be appealing in an illustrated novel, their practicality and believability are quickly questioned on screen. It is clear that their unthreatening appearance here serves more for entertainment than for fostering a credible narrative.

Overall, watching “The Electric State” was a tedious experience, and I frequently checked the time, eager for it to end. It stands out as one of the year’s most disappointing films.